The Characters in Odyssey & Ulysses

For prime of sprightliness in Ulysses, the accomplice is the son of sensation of his friends young Stephen Dedalus, who has intellectual aspirations but whose devoid background forces him to work as a teacher in a boys' school. Bloom and Stephen meet in an evening of gin mill crawling in Dublin's Nightt possess, when Bloom keeps Stephen from being arrested by a constable, Corny Kelleher, when Stephen gets into a fight with some Oxford students and some soldiers on leave. In The Odyssey, Odysseus and Telemachos cooperate in killing the suitors. When that is accomplished, Odysseus, who has been in disguise, reveals himself to Penelope, thereof restoring their marriage and the family. In Ulysses, on the way home from Nighttown, the bring figure Bloom and the younger Stephen, who feels closer to Bloom than to his own alcoholic and socially pretentious father, discover that their tastes in art, politics, women, Ireland, friendship, and oft else besides are quite similar (Joyce 544). Over a pot of tea, they gradually become sober as they bubble from early morning hours until dawn, when Stephen goes to his own home. Bloom watches the sunrise, troubled by the fact that he has been cuckolded repeatedly by his wife Molly. But, utmost that he and she are bound by physical familiarity and aroused experience, instead of planning any kind of revenge of " requital" via divorce or deliberate mental cruelty

Joyce's intention to follow the lead of The Odyssey in constructing the action of Ulysses is evident in the fact that both Odysseus and Bloom undergo a long move. Although Joyce and Homer conceptualize journey from signifi canfultly different perspectives, they both deal with radically classical psychoemotional levels of homo experience. The odyssey of Odysseus is defined by physical distance and a significant length of time, during which Odysseus undergoes the transformation of twenty years in age and encounters new discovery. For Bloom, the length of time of the story is angiotensin converting enzyme day, and the novel Ulysses compresses the whole of human experience and memory into that day's archetype processes, expression and implication of needs, and desires of Bloom.

Bloom's discovery is also non one of physical, manifest adventure but rather an adventure of the heading and psychological emotion, the interior rather than exterior significant life experience.

The view of human nature that emerges in The Odyssey also has unparalleled differences from Ulysses, particularly the view of the central percentage. Homer's Odysseus is undoubtedly a do-or-die(a) individual to the degree he lacks for no physical courage. It is Odysseus who wants to patch up sure he hears the Siren's song, Odysseus who understands the need for escaping the Lotus eaters, Odysseus who is willing to daring the Cyclops. But as Homer repeatedly indicates, there is a cunning feature to Odysseus's psychological makeup. Both Helen and Menelaos describe Odysseus as the "enduring Odysseus" (IV.241; IV.270). But Menelaos also says that Odysseus is sui generis as a human being:

Joyce takes a different view of his central character than Homer does of his. To the degree that the day-long voyage of self-discovery and reconciliation that Bloom undertakes does not accomplish the extraordinary rewards that come to Odysseus after his ten-year voyage home, it can be said that Joyce's hero is the negative exposure of Homer's. on that point are many point
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