Dada was a literary and esthetic movement born in Europe at a time when the horror of World War I was cosmos played out in what amounted to citizens front yards. Due to the war, a number of artists, writers and intellectuals - notably of French and German nationality - found themselves faithful in the refuge that Zurich (in neutral Switzerland) offered. Far from merely whimsy relief at their respective escapes, this bunch was pretty ticked off that modern European society would allow the war to waste happened. They were so angry, in fact, that they undertook the time-honored artistic tradition of protesting.
stripe together in a loosely-knit group, these writers and artists used whatsoever universe forum they could find to (metaphorically) spit on nationalism, rationalism, materialism and any another(prenominal) -ism which they felt had contributed to a senseless war. In other words, the Dadaists were fed up. If society is going in this direction, they said, well have no part of it or its traditions. Including...no, wait!...especially artistic traditions.
We, who are non-artists, result create non-art - since art (and everything else in the world) has no meaning, anyway.
About the that thing these non-artists all had in common were their ideals. They even had a hard time agreeing on a name for their project. Dada - which some say means hobby horse in French and others feel is just baby talk - was the catch-phrase that do the least amount of sense, so Dada it was.
Using an ahead of time form of Shock Art, the Dadaists thrust mild obscenities, scatological humor, ocular puns and everyday objects (renamed as art) into the public eye. Marcel Duchamp performed the roughly notable outrages by painting a mustache on a copy of the Mona Lisa (and scribbling an obscenity beneath) and...If you want to get a full essay, order it on our website: Orderessay
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