The American middle class had achieved the highest standard of living in history. But, the prosperity of the 1950s also led to an emphasis on conformity. Several affluent young folks began to consider that their society could offer only "a life of mediocrity" in which the person "languishes as a cog during the machine, while dreaming of a life fit for heroes" (Reynolds and Press 3).
In the 1960s, the civil rights movement, the war in Vietnam, and also the sexual revolution started to show what was wrong with this prosperous society. As a result of the rise during the birth rate following Globe War II, a huge new Child Boom generation existed. As soon as this generation reacted against the difficulties in the society, the amount of teenagers, as well as the quantity of money they had, combined to produce a strong new sort of youth culture. The leading voices in this culture were the rebellious stars of Rock and Roll, a type of music that belonged only towards teenagers.
Riordan, James, and Jerry Prochnicky. Break on Through: The Life and Death of Jim Morrison. New York: William Morrow, 1991.
Morrison touched on all the aspects on the conventional teenage reaction, and created himself into a romantic figure who seemed for getting one thing to say to that generation. He stood for sexual freedom, artistic expression, freedom to experiment with drugs and alcohol, the search for meaning, defiant rejection of society's values, and the glamour of death and despair. Towards public, Morrison seemed to live out each part of this role. His audience of middle-class teenagers and young adults saw him as a reflection of their very own struggles. Then Morrison died at the height of his popularity, and his rebellious image could in no way be changed. The basics of rebellion are usually the same. Each generation finds new methods of defying social conventions, and every generation finds new types for expressing this defiance.
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